Dr. Martha S. LoMonaco, PhD.
 

Selected refereed journal papers

 

  • "The Stage is not the Place for Real Women: The Odd Career of Lulu Glaser," Theatre Symposium: Representations of Gender on the Nineteenth Century American Stage, Vol. 10, Univ. of Alabama Press, 2002, 50-62. This article profiles a major American actress/manager of the turn of the 20th-century whose on-stage portrayals of dainty femininity contrasted sharply with her managerial ruthlessness.
     
  • "From Archive to Stage: Hair Then and Now," Performing Arts Resources, Vol. 22, Their Championship Seasons: Acquiring, Processing, and Using Performing Arts Archives, New York: Theatre Library Association, 2001, 69-86. This paper describes the research undertaken to support my directorial decisions for the 1999 production of Hair at Fairfield University; this paper also includes production photos.
     
  • "Teetering at the Margins: The Evolution of Hair, the American Tribal Love-Rock Musical," Theatre Symposium: The Political, the Popular, the Personal, the Profane, Vol. 8, Univ. of Alabama Press, 2000, 95-104 (Appendix I). This paper describes how this groundbreaking show evolved from an experimental theatre piece grounded in the precepts of the 1960s countercultural to a Broadway blockbuster which compromised and exploited those virtues for commercial gain.
     
  • “Treasures in the Attic: Gleanings from the Private Archive of Henry Clay Barnabee,” Performing Arts Resources, Vol. 16, Taking the Pledge and Other Public Amusements, 93-102. New York: Theatre Library Association, 1991.
     
  • “Putting Performance On-Line,” Performing Arts Resources, Vol. 15, Arts and Access: Management Issues for Performing Arts Collections, 51-57.
     
  • “Of, By, and For Women: The Women’s Playhouse Trust,” Women & Performance 2, 59-64 (1985).
     
  • “The Giant Jigsaw Puzzle: Robert Joffrey Reconstructs Parade,” The Drama ReviewT103, 31-45 (Fall 1984).
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